Royal Passagemaker 52
You are reading the text-only copy of this article. To access the article as it appeared in PassageMaker Magazine, please log in to purchase and download the PDF version of this article.
David and Linda Haywood eased their inflatable tender from a visitor’s
dock in Friday Harbor—a task made trickier by the small forest of pilings
supporting a large pier overhead—and turned out into the harbor where
their 52-foot trawler, Shamal, lay at anchor. As a guest aboard, I let them do
the work.
Just moments before, I had walked off a Washington State ferry from
Anacortes to keep a date for a tour of a Royal Passagemaker yacht built for
the Haywoods by Park IsleMarine, based in Sooke, British Columbia, on the
south tip of Vancouver Island. PMM writers do a lot of boat tours in a year,
and I think we all agree the best are those that involve owners who have
spent many hours under way and have impressions to share and revealing
stories to tell. I was looking forward to this one.
The Haywoods took delivery of Shamal in 2005, and she won the People’s
Choice Award at her debut at Trawler Fest in Poulsbo, Washington, that
year. They cruised her to Southeast Alaska in 2006. This would be a quality
tour, I thought: a yacht from a highly regarded Canadian builder with her
experienced owners aboard.
This was our first face-to-face meeting, and on one level we were getting
acquainted, linking names and faces after impersonal electronic
communications had arranged my tour of the boat. I also was wondering
silently what Ed Monk would have thought about this contemporary
cruising yacht built on the hull of a stout, ocean-going fishing vessel he had
designed nearly 50 years ago.
Monk, probably the most famous name in Pacific
Northwest boating circles, drew the lines, likely in the
late 1960s, for a 57-foot full-displacement fishing trawler
that became known as the Seamaster. Many working
boats soon were built to his design, and it wasn’t long
before recreational boaters recognized the seakeeping
attributes of the Seamaster and began building custom
yachts on that hull, some in wood and some in fiberglass.
“Do you see our boat?” David asked. Indeed, I could.
Her softly rounded transom, the gentle sweep of her
sheerline, and her flared bow clearly marked a Monk
classic. A Victoria, B.C., naval architect, Gregory
Marshall, designed the deckhouse and the interior and
respected Monk’s styling in every line he drew. I learned
later that many interior design features were suggested
by David and Linda and executed by Marshall.
The outboard engine quit as we touched the boarding
platform, and we stepped aboard, aided by the stainless
steel staple railings on the platform’s edge. A transom
gate opened into the cockpit. I noticed that the upper
deck’s extension over the cockpit and side decks made
this a perfect boat for the Pacific Northwest.
I had begun to look around when David asked if I planned to return to Anacortes that day. I said yes and
he offered, “We’ll take you there.”
Within minutes, the John Deere was humming deep in
the ship and the hydraulic windlass was quietly lifting
the anchor from the mud of Friday Harbor. This tour
was getting better and better, I decided, as David and
Linda got the boat under way: a new but experienced
boat, capable and friendly owners with good times to
talk about, and the prospect of a three-hour-long cruise
on a calm Northwest day.
CANADIAN, YES!
Roy Parkinson, who founded Park Isle Marine Ltd. in
1987, says he began boating with his family in the waters
off Victoria when he was 2 years old. After studying boat
construction and apprentice shipbuilding work at Canoe
Cove Manufacturing, he opened a small firm that
restored classic mahogany runabouts and sailboats
and then expanded into general boat repair, refit, and
construction. In 1994 he acquired the molds for the
Monk Seamaster hull and for the Truant 37, a William
Garden-designed sailboat.
The first yacht built by Park Isle from the Seamaster molds was the 57-foot Fine Romance. I joined Parkinson
and the owners in delivering her from Seattle to Victoria
on a foggy winter day and wrote about her in the
December 2001 issue of PMM. She was elegantly,
skillfully, and thoughtfully finished, a fruit of the
owners’ planning and the yard workers’ craftsmanship.
Fine Romance looks like Shamal’s big sister.
At 65 feet, Wanderbird is an even larger Royal
Passagemaker, launched several years later. Again the
result of design work by Monk and Marshall, she is the
much larger sister of Fine Romance and Shamal. The
woodworking skill of the Park Isle crew is evident in
the extensive mahogany cabinetry on Wanderbird.
I visited Wanderbird while she was under construction
and at a boat show but never spent time aboard under
way. She clearly was fitted for serious ocean cruising,
with paravane stabilizers and auxiliary sails. But I thought
her interior, finished according to the owner’s wishes,
was just too elegant.
Parkinson used traditional fiberglass layup techniques
to mold Fine Romance, but he went high tech with
the next Royal Passagemaker. Wanderbird was the
first boat he built using vacuum infusion for molding
fiberglass components.
On one visit to the Victoria-area yard to watch a
demonstration of vacuum infusion, then a relatively
unknown process in the Northwest, I found Parkinson
confident but a little nervous about using the new
technique on a grand scale. On a later visit, I saw
the perfectly molded hull and deckhouse of the
65-footer. It was a gamble, but Parkinson won, and
he successfully used the same process to build Shamal.
The entire hull of the 52 was infused at one time in a
female mold with vinyl ester resin. (Hulls built by the
traditional handlaid technique often are molded in two
pieces that are bonded together.) Shamal’s hull below the
waterline is solid fiberglass. Above the waterline it is
cored with 1-1/4-inch Corecell. The deckhouse and pilothouse were infused in one mold as well. The
flybridge and boat deck were infused in one shot,
including structural deck beams. Parkinson said a
variety of coring and glass combinations were used
to meet engineering requirements established by
Marshall’s staff.
Parkinson built Fine Romance in a small shop near
Sooke. Later, he moved his business to a property
he leased from the Canadian navy on Esquimalt
Harbour at Victoria and constructed a large assembly
building. Military requirements forced him to relocate,
so he returned to a 29-acre property at Sooke that
he is developing as a full-service repair yard and
boatbuilding facility.
David and Linda, who live in Grand Ledge,
Michigan, and have lots of experience boating on the
Great Lakes aboard an Ocean Alexander yacht, are
great boat show fans. But, after seeing a Park Isle ad in PMM, they canceled a planned trip to the Miami show
and flew to Victoria to meet Parkinson.
Construction took two years, several months longer
than what had been predicted when they signed the
construction contract. But they got what they wanted:
a traditional, truly functional yacht with fairly simple
systems. “She is self-contained,” David said. “We don’t
need docks.”
David and Linda suggested design features to
Marshall, who worked them into the construction plans.
They chose a two-stateroom layout and specified that an
office go into space normally reserved for a third sleeping
area. David grins a little as he completes the story:
Marshall’s plans continued to show an office, with
berths. Finally, David said, “I went to Greg and told
him nobody sleeps in my office.”
The owners flew to British Columbia every four or five
weeks to check building progress and to confer with Parkinson on details. They hired a Seattle surveyor to
keep an eye on construction work.
“We got a very fine boat,” David said. “We are proud
of her.” Linda added: “I was impressed with the skill,
care, and pride of the [shipyard] crew.”
A LOOK AROUND
The Haywoods obviously are concerned about safety
on deck. They added the boarding platform staples
(stainless steel railings in an inverted “U” form) after
delivery of the boat. I grabbed them for an easy step
from the tender to the platform. A short ladder with
handrails is attached to the lower transom and leads to
the gate, which has another grab bar to the right.
The staples also offer security for David and Linda when they are working with mooring lines from the
boarding platform.
The saloon door is off center to starboard and the
engine room entry is to port, with a large saloon window
above it. A stainless steel ladder, with good handgrips,
leads to the flybridge from the cockpit. Side decks with
protective railings and bulwarks lead all the way forward.
The interior follows a traditional layout for a raised
pilothouse yacht. The saloon, featuring beige upholstery
and mahogany cabinets and trim treated with a brown
stain and a soft finish, leads to the U-shaped galley. One
surprise: all wood is solid mahogany, David said. No
veneers were used, even on some curving sections of the
pilothouse where flexible veneer would have been the
easy choice.
In the saloon, an L-shaped settee flanked by cabinets
curves from the aft wall forward on the port side. The
AC/DC breaker panels are on the port side between a
cabinet and the galley counter. To starboard, the
Haywoods placed armchairs on either side of a cabinet
housing a pop-up TV. The saloon is carpeted, and the
galley and pilothouse are finished with teak flooring.
The walls are covered with a smooth vinyl material
called Arbeite “that cleans up easily,” Linda said. The
Haywoods chose white, but the maker offers about 150
colors. And the overhead is white paneling with Vgrooving,
something Ed Monk might have used in his
early career. Overhead structural beams are trimmed
with mahogany.
Mahogany is a popular choice, but Park Isle also will
finish a yacht in teak, cherry, maple, vertical grain fir, or
western and yellow cedar.
There are no overhead grabrails for a safe rough-water
passage through the saloon, galley, or pilothouse. The
stairways, however, have solid handrails.
The galley has enough cabinets for a liveaboard
family. One hangs from the overhead above the galley
counter but does not seriously affect the chef ’s view
aft. The galley also is equipped with two sets of drawertype
refrigerators/freezers. That means two fridges and
two freezers, and plenty of space for perishables on a
long cruise.
I counted seven overhead cabinets in the galley, plus
storage beneath the sink and in other under-counter
spaces. The galley has a full-size electric range (big
enough to roast a turkey), a microwave, and a
dishwasher. “I wanted traditional, functional things,”
Linda said. “I didn’t want an electric wine cabinet.”
Two steps lead from the galley up to the pilothouse.
Another stairway on the starboard edge of the saloon
takes us to the staterooms below.
David had similar goals for the pilothouse: functional simplicity. “I wanted good navigation, but not a lot of
screens,” he said. “I can navigate this boat with charts
and a compass.”
And simple is what he has. On the overhead space
traditionally used as an electronics locker are two short
rows of switches with labels, two panels reporting
system status, and a VHF radio. At the helm is a single
monitor that will display all navigational information,
including electronic charts and radar images. Engine gauges are front and center, and the autopilot, engine,
and thruster controls are close at hand.
Shamal has five windows across the helm. I think
David may have pushed simplicity too far in having
only one windshield wiper (it’s on the center pane).
The pilothouse is much like the one I saw on Fine
Romance. A settee bends along the aft wall and turns
forward on the port side. A table is centered on the
settee. There are port and starboard pilothouse doors;
a section of the settee and the table must be swung
aside to provide access to the port door.
The table and an area to the right of the wheel
provide space for paper charts. David had charts at
hand for our run to Anacortes, although he also was
running navigational software on his computer.
An interior stairway to starboard connects the
pilothouse and flybridge, so we headed topside.
The hatch is clear, and a stainless steel grabrail on
the right makes the last step effortless. A fixed helm
seat provides a good around-the-horizon view; a
table and settee to port offer comfort to guests.
Aft and down two steps is the boat deck, where
David stores a 13-foot Avon that is launched and
recovered with a Steelhead Marine hoist. The
Haywoods also installed a “summer kitchen” with a
gas grill and a refrigerator/ice maker.
The radar mast is a towering, beefy structure.
It is hinged at the base and is raised and lowered
hydraulically, a necessity for the owners, who store
the boat in a covered moorage.
LOWER DECK TOUR
Eight steps from the saloon lead down to a landing.
The office where no one sleeps is on the port side, a
head and guest stateroom are forward, and the laundry
center is to starboard, with space for storage and for
folding clothes. The master stateroom and head are aft
and down two steps from the landing.
Both staterooms are spacious, thanks to the
Haywoods’ decision to have only two sleeping areas and
a small office. Guest quarters are in the bow and include
a standard double bed with six storage drawers beneath
and hanging locker space, all of which are cedar lined.
The office looks perfect for managing boat business
and for occasional work-related use by David, a Lansing,
Michigan, attorney. An office door leads to the head,
which also opens into the guest stateroom through
another door.
The cabinetmaking skills of Park Isle Marine are
displayed vividly in the master stateroom. The port
side is filled with a bank of 15 drawers, all flawlessly
finished in mahogany. The wall space above is solid mahogany paneling, and the portlights are obscured
with mahogany-trimmed shoji screens that provide
light and privacy. All doors on hanging lockers
(“closet” is a better term) also are mahogany, with
nautical rounded tops.
The master cabin adjoins the forward engine room
bulkhead. That wall is insulated, but to provide even
better sound reduction, the Haywoods had a row of
hanging lockers and cabinetry installed. Double-wall
construction and rows of hanging clothing significantly
cut machinery noise, David said. “It really is soundproof.”
The master head is to starboard. The portlight can be
opened, with a sliding shoji providing privacy. Pull on
another slider, and a mirror covers the portlight. “That
was Linda’s idea,” David said.
The area beneath any stairway is difficult to use
because of its awkward shape and often simply is
enclosed and forgotten. The Haywoods, however,
called for a short door (about 4 feet high) in the
stateroom wall to open into that space for storage
of items needed only occasionally.
The Haywood-Marshall design of the lower
spaces should make cruising with guests an enjoyable
experience. The office separates sleeping spaces and the
guest/day head from the master stateroom and upper
deck activity, assuring privacy.
DOWN A LADDER
The transparent engine room entry door swung open
easily on gas struts, and we headed below. I took my first
trip down the ladder’s six steps cautiously, but subsequent
visits should be easier.
With a single engine positioned in the center of the
compartment, the space is so large that two could work
there without getting in each other’s way. There’s more
than 6 feet of headroom and clear space on three sides of
the engine. The front of the engine sits near the bulkhead,
but there is still good clearance for servicing and reaching
gear mounted in that spot.
All machinery and related gear is in the open and
readily available for maintenance and repair, but there’s
no sense of clutter because of thoughtful design. Air
conditioning equipment and a 16kW Northern Lights
generator are perched on a shelf on the port side. Leadacid
batteries for the 24-volt house system, pumps, and
other gear are stored beneath.
Battery switches are mounted flush on the shelf above
the port battery storage area. This is convenient
for routine maintenance, but we at PMM believe
disconnecting switches should be located outside the
engine room, where they can be reached easily and
safely in the event of an engine room fire.
Parkinson said Shamal was designed prior to current
discussions about placement of battery disconnect
switches outside engine rooms, adding, however, that he
can’t argue with that theory. Because American Boat &
Yacht Council voluntary standards are met—fusing within
7 inches of the battery bank and a main breaker on a
panel about 7 feet from the battery and breakers for each
circuit—Parkinson said he believes “all bases are covered.”
“The entire electrical system in the 52-footer was
designed and installed by an ABYC-certified electrician,”
he added.
Fuel polishing and handling gear is on the forward
bulkhead. A 20-gallon water heater, more batteries
(with disconnect switches on a panel above), an 8gph
watermaker, and a workbench space are on the
starboard side.
The 330hp John Deere PowerTech 8.1 diesel is keel
cooled; the keel-cooling system’s seacock is in sight and
is easily reached.
Mounted on a stringer forward of the engine is
a stainless steel box that serves as a manifold for
distribution of sea water to the watermaker and for
cooling the main engine and generator exhausts and the
air conditioning compressors. The obvious advantage:
only one through-hull valve is needed to meet multiple
needs. The disadvantage is that stainless steel that’s
immersed in sea water (and denied oxygen) may
suffer from crevice corrosion, which can lead to
leaks—not now, but perhaps in several years.
The ABYC recommends that all materials used in
through-hull systems resist degradation by salt water.
The manifold is manufactured of 3/8-inch 316
stainless steel and is connected to the boat’s bonding
system; the material was specified by the owner.
Parkinson said he does not believe corrosion is a serious
issue with the manifold, although he said that if it had
been his boat, he would have built it of glass and vinyl
ester resin.
Shamal carries about 1,200 gallons of diesel fuel in her
main tanks and 150 gallons in a day tank. Fuel is filtered
as it flows from the main tank to the day tank, and again
as it moves to the engine.
Two hydraulic pumps are mounted on the John
Deere. One powers the anchor windlass, the Wesmar
stabilizers, the dinghy crane, and the mast. The second
serves the boat’s hydraulic steering system.
On the aft bulkhead is an automatic Fireboy fire extinguishing system. It opens when the engine room
temperature reaches a dangerous level, stopping the
engine and ventilation fans. Engine room cooling air is
pulled in through a ventilator high above the port side
deck and through a box duct running to the engine
room. Deck drain lines also are run through the duct
to an overboard discharge. There is no way to close
the ventilation duct in the event of a fire.
Also on the aft bulkhead is an Auto Shore energy
management system. Its job is simple: maintain the
proper voltage for the boat system, regardless of source.
A central air conditioning unit circulates cool air
through the boat. The air movement system is shared
by a Webasto oil-fired furnace.
Shamal has a great engine room, and despite more
than 900 hours of cruising since launch, it still looks new.
Most boaters would applaud it. And it complies with the
Haywoods’ goals of simplicity and easy functioning. “I
can keep this one running,” David said. “All I have to do
is get fuel and air to it.”
AT SEA
With David at the helm, we motored out of Friday
Harbor and set an easterly course across San Juan
Channel for Upright Channel. The dinghy was under
tow; once we were inside Flat Point, Linda and I would
use it as a photo boat.
Shamal was running at 7.3 knots, with the John Deere
turning 1500 rpm. “This is my fuel-saving mode,” David
said, reporting that the engine burned a bit less than
3gph at that speed.
Normal cruising speed is 8.5 knots, with a fuel burn
of 4.5gph. Slowing to 7 knots cuts fuel consumption to
2.5gph, he said.
Park Isle Marine’s engine room insulation also proved
effective. At 7.3 knots, in the pilothouse I measured
62–63 decibels on the A scale of my sound level meter.
That makes cruising comfortable.
David and Linda live far from Northwest waters, but
they manage frequent trips west for serious cruising. My
tour of the boat came as they ended a three-week
voyage in Puget Sound and adjoining waters. They were
planning to return for a summer cruise to the Broughton
Archipelago in north-central British Columbia.
A long trip to Southeast Alaska in 2006 is remembered
as “a trip of a lifetime.” In Petersburg, a major commercial
fishing center, fishermen instantly identified Shamal’s
Seamaster hull because of its wide use in Alaska waters.
As the world continued to be rocked by soaring fuel
prices, it occurred to me that Shamal is a big boat
designed to travel at modest speeds with good fuel
efficiency. The Haywoods don’t have to worry about throttling back a pair of monster engines in a yacht
intended to cruise in the teens or faster while burning
scores of gallons of fuel every hour.
Shamal may not be able to outrun a storm, but with
her displacement (about 60 tons), beam (16 feet 4
inches), draft (6 feet 4 inches), and stabilizers, she’ll be
able to ride it out safely. For the Haywoods, the trip is a
big reward, and 3gph makes that reward even sweeter.
We turned toward shore in Upright Channel to clear
the little traffic that was out that day, and Linda and I
boarded the Avon. Sitting in that dinghy at water level
and watching Shamal turn and run with a nice bow wave
was exhilarating. We also learned that big boats leave big
wakes, and we had to hang on tight when David, at my
request, buzzed closed to us.
Photo work done, David and Linda hoisted the
dinghy aboard, and we turned toward Anacortes.
The favored route out of the San Juan Islands is via
Thatcher Pass, but because it is used by ferries and
many recreational boaters, I usually turn north, exiting
the islands via Peavine Pass.
With a favorable, fuel-saving current, our speed in
the pass reached 10.9 knots. The current opposed us
in Rosario Strait, however, and whatever advantage
we had gained quickly disappeared.
It was a calm day and Shamal motored along quietly
and easily. I never wish for sloppy seas, but it would have
been rewarding to see that classic respond to currentagainst-
the-wind conditions in the strait.
David said the boat developed a vibration after
delivery. The problem was traced to the large rudder
and was solved by installing a bearing at the top of the
rudder shaft. “She runs nice now,” he said.
To make handling easier and safer, the Haywoods
added the boarding platform staples and put sail tracks
along the bow to allow quick placement of fenders.
David is thinking about installing a hydraulic get-home
drive, just in case.
Their original plan was to cruise the Northwest awhile
and then take the yacht home to the Great Lakes. That
seems to be in question now. “The more time I spend
here, the more I like it,” David said. “I like cruising here.”
After three years of ownership and more than 900
hours of cruising time, David and Linda know their boat
well. I asked David what would be different if he were
building a new boat today.
He grinned a little. “A brighter anchor light...maybe.”
Postscript: Roy Parkinson’s company now is working on a
pair of new boats, neither based on the Seamaster hull, while
developing its new repair and construction site. Another 52 is
being considered by a customer, with launch expected in 2010.
Reprinted with permission. Copyright 2008 © Dominion Enterprises (888.487.2953) www.passagemaker.com
You are reading the text-only copy of this article. To access the article as it appeared in PassageMaker Magazine, please log in to purchase and download the PDF version of this article.